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the immense area
of surface which this picture occupies will surprise the reader: it
measures 40,000 square feet, or nearly an acre in extent. this may
be a glowing eulogium; but it is true to the line and letter.
 see _mirror_, vol. xiii. p. 33.
 a graphic account of the colosseum, from the apt pen of mr.
britton, the architect.
we have already illustrated the panorama, and it is our intention to
introduce other embellishments of the colosseum, as far as may be
compatible with finished sketches. our present subject is the principal
apartment in the _swiss cottage_, to which the reader or visiter is
conducted through a range of conservatories, containing choice exotics,
with some of the most majestic proportions of leaf and flower that can
be enjoyed in any clime. the communication is by a stone-work passage,
the temperature of which is a refreshing succedaneum to that of the
conservatories, or 72°. this cottage was designed by p.f. robinson, esq.
who has evinced considerable taste in a publication on cottages and
cottage-villas, as well as in the execution of various buildings. it
consists of four apartments, three of which may be considered as
finished. the apartment in our engraving was completed, or nearly so, on
our first visit. it is wainscotted with coloured (knotted) wood, and
carved in imitation of the ornamented dwelling of a swiss family. the
fire-place will be recognised as the very _beau ideal_ of cottage
comfort: the raised hearthstone, massive fire-dogs and chimney-back, and
its cosy seats, calculated to contain a whole family seated at the sides
of its ample hearth-are characteristic of the primitive enjoyments of
the happy people from among whom this model was taken. our view is from
the extreme corner, from which point the entrance-passage is shown in
 see _mirror_, vol. xiii. p. 97.
[illustration: apartment interior]
the second engraving shows the recessed window of the apartment, which
faces the fire-place, and commands a view of a mass of rock-scenery,
ornamented with waterfalls of singular contrivance and effect. the
frames are filled in with plate-glass, so that the view of these
artificial wonders is unobstructed. our artist has, in his sketch,
endeavoured to convey some idea of their outline; but he hopes to supply
an amplification of their scenic beauty in a future engraving. we may,
however, observe that the view from this window deserves the character
of the _sublime in miniature_, and presents even a microcosm, where
rocks and forests, lakes, and mountains grand,
mark the true majesty of natures hand.
the whole apartment presents a finished specimen of joinery, with a
tasteful display of ornamental carving. its colour is a deep warm or, we
think, _burnt sienna_, brown; the furniture is in _recherché_ rusticated
style, planned by mr. gray, whose taste in these matters is elaborately
correct; and it requires but the social blaze on the hearth, (which our
artist has liberally supplied,) to complete the well-devised illusion of
the scene. the apartment was painted about two years since as a scene
for a musical piece at covent garden theatre, the incidents of which lay
the voices of the night.
by miss m.l. beevor.
(_for the mirror._)
like some young veiled bride,
gleams the moons hazy face,
when tissues that would hide
but lend her charms a grace:
each winkling starlet pale,
sleeps in its far, far fold,
wrappd in the heavy veil
of dewy clouds and cold.
the turmoil, din, and strife,
of factious earth are oer;
the turbid waves of life
have ceasd to roll and roar;
but tones now meet the ear,
full fraught with strange delight,
and intermingling fear:
_the voices of the night!_
not such as softly rise
when boughs with song oerflow,
and lovers vows and sighs,
like incense breathe below;
not such as warm his breast,
whose feverd anxious brain
toils when all else hath rest,
to bring the _lost_ again!
but the owls boding shriek,
the death-cry of his prey;
the tongues that durst not speak
in bright unslumbring day;
the murdrers curses fell,
his quivring victims groan;
the muttred, moody spell
which rocks abaddons throne!
the song of winds that sweep
our rolling sphere, and keep
up conferences profound;
the music of the sea,
when battling waves run mad;
far sweeter there may be,
but none so wild and sad.
the wail of forests vast
thro which pour storms like light,
whilst rending in the blast,
they feebly own its might!
deep thundrings oer the main:
the short shrill smotherd cry,
hurld to the skies in vain,
of drowning agony!
the something _toneless_, which
speaks awfully to men,
startling the poor and rich,
for conscience _will_ talk then;
these are the watch-words drear,
_the voices of the night_,
which harrow the sick ear,
the stricken heart affright!
_great marlow, bucks._
manners & customs of all nations.
(_for the mirror_.)
this day of joyous festivity has almost ceased to be the harbinger of
mirth and jollity; and the gambols of our forefathers are nearly
forgotten amidst the high notions of modern refinement. time was when
king, lords, and commons hailed may-day morning with delight, and bowed
homage to her fair and brilliant queen. west end and city folks united
in their freaks, ate, drank, and joined the merry dance from morning
dawn till close of day. thus in an old ballad of those times we find
the hosiers will dine at the leg,
the drapers at the sign of the brush,
the fletchers to robin hood will go,
and the spendthrift to beggars bush.
the gentry to the kings head,
the nobles to the crown, &c.
the rustic had his morrice-dance, hobby-horse race, and the gaudy
mayings of robin hood, which last were instituted, according to an old
writer, in honour of his memory, and continued till the latter end of
the sixteenth century. these games were attended not by the people only,
but by kings and princes, and grave magistrates