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Spotify looks beyond music in search of a profit

publish 2022-05-02,browse 3
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the immense area of surface which this picture occupies will surprise the reader: it measures 40,000 square feet, or nearly an acre in extent.[2] this may be a glowing eulogium; but it is true to the line and letter. [1] see _mirror_, vol. xiii. p. 33. [2] a graphic account of the colosseum, from the apt pen of mr. britton, the architect. we have already illustrated the panorama,[3] and it is our intention to introduce other embellishments of the colosseum, as far as may be compatible with finished sketches. our present subject is the principal apartment in the _swiss cottage_, to which the reader or visiter is conducted through a range of conservatories, containing choice exotics, with some of the most majestic proportions of leaf and flower that can be enjoyed in any clime. the communication is by a stone-work passage, the temperature of which is a refreshing succedaneum to that of the conservatories, or 72°. this cottage was designed by p.f. robinson, esq. who has evinced considerable taste in a publication on cottages and cottage-villas, as well as in the execution of various buildings. it consists of four apartments, three of which may be considered as finished. the apartment in our engraving was completed, or nearly so, on our first visit. it is wainscotted with coloured (knotted) wood, and carved in imitation of the ornamented dwelling of a swiss family. the fire-place will be recognised as the very _beau ideal_ of cottage comfort: the raised hearthstone, massive fire-dogs and chimney-back, and its cosy seats, calculated to contain a whole family seated at the sides of its ample hearth-are characteristic of the primitive enjoyments of the happy people from among whom this model was taken. our view is from the extreme corner, from which point the entrance-passage is shown in the distance. [3] see _mirror_, vol. xiii. p. 97. [illustration: apartment interior] the second engraving shows the recessed window of the apartment, which faces the fire-place, and commands a view of a mass of rock-scenery, ornamented with waterfalls of singular contrivance and effect. the frames are filled in with plate-glass, so that the view of these artificial wonders is unobstructed. our artist has, in his sketch, endeavoured to convey some idea of their outline; but he hopes to supply an amplification of their scenic beauty in a future engraving. we may, however, observe that the view from this window deserves the character of the _sublime in miniature_, and presents even a microcosm, where rocks and forests, lakes, and mountains grand, mark the true majesty of natures hand. the whole apartment presents a finished specimen of joinery, with a tasteful display of ornamental carving. its colour is a deep warm or, we think, _burnt sienna_, brown; the furniture is in _recherché_ rusticated style, planned by mr. gray, whose taste in these matters is elaborately correct; and it requires but the social blaze on the hearth, (which our artist has liberally supplied,) to complete the well-devised illusion of the scene. the apartment was painted about two years since as a scene for a musical piece at covent garden theatre, the incidents of which lay in switzerland. the voices of the night. by miss m.l. beevor. (_for the mirror._) like some young veiled bride, gleams the moons hazy face, when tissues that would hide but lend her charms a grace: each winkling starlet pale, sleeps in its far, far fold, wrappd in the heavy veil of dewy clouds and cold. the turmoil, din, and strife, of factious earth are oer; the turbid waves of life have ceasd to roll and roar; but tones now meet the ear, full fraught with strange delight, and intermingling fear: _the voices of the night!_ not such as softly rise when boughs with song oerflow, and lovers vows and sighs, like incense breathe below; not such as warm his breast, whose feverd anxious brain toils when all else hath rest, to bring the _lost_ again! but the owls boding shriek, the death-cry of his prey; the tongues that durst not speak in bright unslumbring day; the murdrers curses fell, his quivring victims groan; the muttred, moody spell which rocks abaddons throne! the song of winds that sweep impetuously around our rolling sphere, and keep up conferences profound; the music of the sea, when battling waves run mad; far sweeter there may be, but none so wild and sad. the wail of forests vast thro which pour storms like light, whilst rending in the blast, they feebly own its might! deep thundrings oer the main: the short shrill smotherd cry, hurld to the skies in vain, of drowning agony! the something _toneless_, which speaks awfully to men, startling the poor and rich, for conscience _will_ talk then; these are the watch-words drear, _the voices of the night_, which harrow the sick ear, the stricken heart affright! _great marlow, bucks._ manners & customs of all nations. may-day games. (_for the mirror_.) this day of joyous festivity has almost ceased to be the harbinger of mirth and jollity; and the gambols of our forefathers are nearly forgotten amidst the high notions of modern refinement. time was when king, lords, and commons hailed may-day morning with delight, and bowed homage to her fair and brilliant queen. west end and city folks united in their freaks, ate, drank, and joined the merry dance from morning dawn till close of day. thus in an old ballad of those times we find the hosiers will dine at the leg, the drapers at the sign of the brush, the fletchers to robin hood will go, and the spendthrift to beggars bush. and another the gentry to the kings head, the nobles to the crown, &c. the rustic had his morrice-dance, hobby-horse race, and the gaudy mayings of robin hood, which last were instituted, according to an old writer, in honour of his memory, and continued till the latter end of the sixteenth century. these games were attended not by the people only, but by kings and princes, and grave magistrates

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